http://is.cs.ou.nl/OWF/index.php?action=history&feed=atom&title=ChiaroscuroChiaroscuro - Revision history2026-05-10T13:48:55ZRevision history for this page on the wikiMediaWiki 1.34.2http://is.cs.ou.nl/OWF/index.php?title=Chiaroscuro&diff=389&oldid=prevLloyd Rutledge at 18:55, 3 May 20262026-05-03T18:55:45Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 18:55, 3 May 2026</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Term=Chiaroscuro</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Term=Chiaroscuro</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Description=Chiaroscuro lighting generally involves the emphasis of oppositions and transitions between light and shadow. Accentuating areas of light and shadow releases the spectator from the coloration of the objects, joining together in a double perception the juxtaposition of areas of brightness and darkness and the simultaneous presence of colored areas. The abstraction of what is depicted and the integration of the visual layers previously separated from one another--gray scale and colors, light value and color value--are linked together. The consequence is often to isolate objects from the space surrounding them.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|Description=Chiaroscuro lighting generally involves the emphasis of oppositions and transitions between light and shadow. Accentuating areas of light and shadow releases the spectator from the coloration of the objects, joining together in a double perception the juxtaposition of areas of brightness and darkness and the simultaneous presence of colored areas. The abstraction of what is depicted and the integration of the visual layers previously separated from one another--gray scale and colors, light value and color value--are linked together. The consequence is often to isolate objects from the space surrounding them.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>|In film=Gone <del class="diffchange diffchange-inline">With </del>the Wind</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>|In film=Gone <ins class="diffchange diffchange-inline">with </ins>the Wind</div></td></tr>
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</table>Lloyd Rutledgehttp://is.cs.ou.nl/OWF/index.php?title=Chiaroscuro&diff=386&oldid=prevLloyd Rutledge: Created page with "{{Glossary term |Term=Chiaroscuro |Description=Chiaroscuro lighting generally involves the emphasis of oppositions and transitions between light and shadow. Accentuating areas..."2026-05-03T18:47:59Z<p>Created page with "{{Glossary term |Term=Chiaroscuro |Description=Chiaroscuro lighting generally involves the emphasis of oppositions and transitions between light and shadow. Accentuating areas..."</p>
<p><b>New page</b></p><div>{{Glossary term<br />
|Term=Chiaroscuro<br />
|Description=Chiaroscuro lighting generally involves the emphasis of oppositions and transitions between light and shadow. Accentuating areas of light and shadow releases the spectator from the coloration of the objects, joining together in a double perception the juxtaposition of areas of brightness and darkness and the simultaneous presence of colored areas. The abstraction of what is depicted and the integration of the visual layers previously separated from one another--gray scale and colors, light value and color value--are linked together. The consequence is often to isolate objects from the space surrounding them.<br />
|In film=Gone With the Wind<br />
}}</div>Lloyd Rutledge